It’s Called X-Men For A Reason

Can’t wait for X-Men Apocalypse? I can. And the reason’s in the name. Sure, X-People or X-Humans might not have the same ring to it but we’d get used to it after a while. So, in anticipation of the next Latif and Bechdel test failing reboot of this endless franchise I thought I’d re-cap why the previous two films were such let downs.

X-Men: First Class pretty much starts as it means to go on with Rose Byrne’s character, CIA agent Moira MacTaggert, stripping off to some black lingerie to join a throng of female strippers as they ululate for various men in suits. Was this film made by teenage boy stereotypes? January Jones plays Emma Frost who can turn into diamond, a fairly typical result of minor DNA mutation and also a great excuse to have her in underwear and virtually naked most of the time. And if that wasn’t enough female semi-nudity Jennifer Lawrence plays Mystique, who spends most of her time being naked and blue. So, yup, this is one of those superhero movies for the “lads” – the sort of lads who choke if they eat their popcorn too quickly and fantasise about being Magneto. Talking of whom, Michael Fassbender and James McAvoy seem to enjoy getting all the best lines but also playing two right twerps – seriously, young Xavier is such a sleezeball who seems to fail to understand when ‘no means no’ even though he can read minds (a skill he uses to hit on women with, which is just wrong).

The younger mutants don’t fare too well either. There’s a whole bunch of them but they’re mainly white and hetero. The one black mutant, Darwin, played by Edi Gathegi, has a life span of around five minutes before Kevin Bacon’s villian fills him with strange, red energy causing him to implode and shatter into many pieces as his mate Havoc watches through white crocodile tears. Of course, this happens after the only other mutant of colour, Angel, decides to defect and join the baddies’ team (she survives this film but dies off-screen before the next one). So what’s the moral here? That the goodies are white and heteronormative and if you deviate from this trope you’ll end up dead one way or the other.

It’s a similar story for Days of Future Past – McAvoy and Fassender hog all the screen time as they fight over Mystique whose DNA, it turns out, was used to build giant, mutant-killing robots called Sentinels. Yup, a woman is to blame for why all the mutants face extinction. Ellen Page appears but spends most of her time holding onto Wolverine’s head as he gets to do all the fighting. Although you do see his bum for a few seconds in a half-hearted attempt to get some objectification of the male body in the film. It doesn’t last long because all those “lads” are probably too busy snorting on their fizzy drinks and trying desperately to affirm their heterosexuality. The only good thing this film does is to eradicate X-Men: The Last Stand – yup, history literally gets rewritten and one of the worst X-Men movies vanishes. And this means the brilliant Jean Grey is back and no doubt she’ll leave Xavier’s ridiculous school for mutant brats to join a team of awesome queer, female and diversely coloured mutants. So maybe things are looking up for Apocalypse especially with Mystique asking us to “forget everything you think you know.” Does this include the white, cisgendered, heteronormative patriarchy?

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