Elsa’s journey to lesbianism has been a long one. It began in the subtext of the first movie (I mean, the metaphor speaks pretty loudly and Let It Go did become an LGBTQ+ anthem) and became a rallying call in the hashtag #GiveElsaAGirlfriend dating back to 2016. Over the years those at Disney regularly alluded to Elsa’s possible homosexuality without ever committing to it in what is a classic case of queer baiting as the fans did the imaginative labour (and spent their rainbow dollars) while Disney never had to come out for LGBT+ equality and representation. Then an unknown female figure was spotted in the sequel’s trailer and we’d finally been given a glimpse of Elsa’s future girlfriend! Alas not, as it’s now been made clear Elsa isn’t going to fall in love with a woman (or a person of any gender for that matter).
“Like the first movie,” said Kiristen Anderson-Lopez, the film’s songwriter, “Elsa is not just defined by a romantic interest. There are so many movies that define a woman by her romantic interest. That’s not a story that we wanted to tell at this point in time. What we really wanted to tell was if you have these powers, how do you grow and change and find your place in the world and find answers that haven’t been found before?” And Anderson-Lopez is right, there are so many movies that define a woman by her romantic interest. But there are zero Disney movies that allow a protagonist to be defined by their romantic interest in someone of the same gender.
Furthermore, being defined by a same-gender romance doesn’t mean a character has to be reduced to a stereotype or trope. In fact, given how Elsa’s society treated her for having ice powers it wouldn’t be surprising if they shunned and shamed her for being gay, thus traumatising her and forcing her on a lone quest for healing and self-empowerment. Being Elsa and being fab she would find resilience in the face of hostility and liberation in the face of ignorance and if along the way she found love then, my God, she would deserve it and the audience would celebrate it. To clarify, the problem with reducing LGBTQ+ characters to their romantic interest has nothing to do with LGBTQ+ people or characters but everything to do with the ignorance, prejudice and lack of creativity of the heterosexuals who contribute to oppressive cultures of heteronormativy and benefit from its privileges and violent policing of binaries. Tokenism and stereotyping are perpetrated by oppressors, not the oppressed. In the wrong hands Elsa would be reduced to a trope but in the right ones she would be shown for the multi-faceted and brilliant gay character she could be in the face of a world of hostile bigotry and callous indifference. But something tells me that the courage and bravery so prevalent in the hearts of all queer people who have to fight simply to exist is not to be found in the offices of the billion-dollar company that is Disney. I guess I should just let it go.