Ending 2016 With Lorde

So, it’s the end of 2016, which at times seemed like a pretty apocalyptic year. Trump got in, Brexit got voted for, Syria still rages through war and not to mention the 6th mass extinction and resource depletion. It seems all those stories about humans conquering the world, about technology solving all our problems, about the forward trajectory of human civilisation, well, they turned out to be pretty shoddy stories with a shed load of plot flaws and inconsistencies. Fortunately, we’ve got Lorde, the singer songwriter, to offer us some guidance and it comes in her song Team.

The video and the lyrics go hand in hand as they paint a picture of faded grandeur. A city that’s slowly falling apart, the sort of place “you’ll never see on-screen, not very pretty,” – nothing like the Kardashians’ numerous houses. It’s a place where guys joust with baseball bats on motorbikes and grin chipped tooth smiles as the blood trickles down their noses. It’s an apocalyptic rite of passage as people get initiated into meaningless. “Living in ruins of a palace within my dreams” and that’s where we seem to be retreating these days, to inside our heads, far away from the dangers of the world, far away from the grim realities of climate change and refugee crises. Although even for Lorde that palace in her dreams is falling apart. It seems nowhere is safe anymore.

But maybe, in and amongst the debris, there’s hope. “I’m kind of over getting told to throw my hands up in the air, So there.” Maybe Lorde’s bored of being told to give up and surrender, maybe she does want meaning in a culture that’s regularly telling her nothing matters and we should all just give up. Sure, the old stories might not make sense – that everything would end happily ever after – but the people telling those stories were clearly quite deluded (and probably very privileged). What if it’s this naive belief in stories – that life has clear and well-structured beginnings, middles and ends, like fairy tales – that’s the problem. What if finding meaning in today’s world will take more than a simplistic story structure.

“And everyone’s competing for a love they won’t receive, ‘Cause what this palace wants is release.” Lorde’s right again, we are competing, constantly hoping this life of high consumerism, economic reductionism and endless comparison will give us meaning as we shove one another aside to get what we want and get happy trying. That seems so much to be the dominant story of now. But beyond the credit card transactions and the debt, like Lorde, we crave release – release from these highly conditioning bonds of consumer capitalism. Or maybe this is just an exceptionally self-indulgent blog written by a directionless yet privileged millenial – a bit like the sort of people Lorde sings about perhaps.

But, as self-indulgent as I can be, I do want to do something about the mess we’re in, even if the contribution is small and it still all ends in apocalypse (bearing in mind that countless people are already living and dying through various incarnations of hell on earth). And I think Lorde’s song holds the key. She offers us the answer for getting out of this debt-heavy, meaning-lite existence because “you know, we’re on each other’s team.” Somewhere beyond the narratives of endless competition there is a story of teamwork, a more meaningful story in which we join forces and learn to share. And it will be so much more than a story, it will be real human experiences of compassion and community. Better to rebuild ruins together than be forced to live in them alone.

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Why I Love/Hate Black Mirror

I’ve been called a lot of things in my life. These include pessimist, joyful cynic, misanthrope and just the other week, faggot. And sure, if you read some of these blog posts you’ll see I have a pretty critical view of the world. I’m not overwhelmed by the capabilities of world leaders, I’m not hugely inspired by consumer capitalism’s track record and I hate war. But despite this I still like to believe that on the best of days I’m an optimist. I believe that all the answers we need we already have, some of them might be technologies (including ancient ones) but most of them are in us, especially in our hearts. I think the human being has a profound capacity for boundless love, altruism and kindness, and I just wished we lived in a world that made those things easy. Unfortunately, we don’t and this is where Black Mirror comes in and why I love to hate it and hate to love it.

A quick, spoilerful recap of the new series, which I just binge watched. There’s Hated In The Nation, a futuristic cop drama about a bunch of robo bees subtly representing the ‘stinging bees’ of the twittersphere and killing a bunch of people. Loved this one and it had all the hackneyed tropes of police procedurals – cynical, tech-illiterate older cop works with young, tech-savvy cop etc. It also has a really nasty journo who thrives off her online abuse but she’s only around for a couple of minutes. San Junipero was also ace, basically about humans’ inability to just die instead resigning themselves to a seemingly paradisiacal purgatory of endless themed discos or terrible kink clubs (I think I’ll just die, thanks). Men Against Fire had lots of soldiers, shooting and a big metaphor about the dehumanisation of the enemy, i.e. migrants, refugees, people from other countries. Playtest was kinda Inception meets shoddy horror movies and a dig at selfish, gap yah millennials who never call their parents. Shut Up And Dance, a grim take on shame-based blackmail that cashes in on a he’s-a-paedophile-twist.

Now, don’t get me wrong, these were all exceptionally well written, well acted and not necessarily subtle pieces of TV drama, I just get a bit annoyed that Charlie Brooker gets loads of acclaim for glibly documenting how terrible the world is. Isn’t there enough cynical and depressing media out there without a whole series of Black Mirror reminding us how venal and brutal we all are? I mean, anyone for a little hope on television? And that’s why my favourite episode was Nosedive. Not only did it establish that I have a hidden love for Bryce Dallas Howard that I did not know about (maybe because I loved The Village all those years ago) but I just thought it was spot on because in and amongst all the jabs at how selfish and self-absorbed the facebook millenials are there was also redemption. After Howard’s character, Lacie, loses all her popularity and ‘disgraces’ herself at her friend’s wedding she hits rock bottom. Her life nosedives and she ends up unpopular, lonelier than ever and in prison. But it’s there she learns how to let go as she starts a game of insult tennis with the guy in the opposite cell. Wouldn’t we all just love to yell ‘fuck you’ at a world so full of needless insecurities and anxiety-inducing social media? That’s when the episode ends and wonderfully that’s when it seems Lacie’s story begins because she’s thrown off the shackles of pretending everything’s fine and trying to constantly impress others and is learning how to be herself.

And I’ve certainly nosedived before: when I appeared to have lost so much of what I valued only to discover that what I valued was a whole load of bullshit. And even though it seemed like I’d lost everything it turned out that I hadn’t because I had to learn (the hard way) how to appreciate what really was of value in my life. I didn’t always get it right but I did try to learn from my mistakes. And I still have regular mini nosedives, never quite as bad as the ones before, but most of the time I know I can get through them and the low mood or period of difficulty will pass. If I’ve done it before I reckon I can do it again. And maybe little, self-contained nosedives can be useful for really reminding us what’s important. Nothing too big or too scary but a gentle wake up call to tell us to quit focusing on all the bad stuff, start recognising the good stuff and get back to fighting the patriarchy. Or maybe not and this is just me rambling. Either way, do watch Black Mirror. At times it’s violent and just cashes in on shock and at other times it’s joyfully cynical and just downright pessimistic but sometimes it has real heart.