Why Do Fairy Tales End In Weddings?

And it all ends happily ever after – the dragon slain, the terrible King overthrown, the witch thwarted, the wolf outrun, the villagers saved, the damsel rescued and…wedding bells. In old folktales, in Disney cartoons, in far too many movies and, of course, all over real life. Many people spend a lot of time, pain and money trying to craft that perfect day – the white dress, the giant cake, the big guest list. Sometimes they’re lucky and the only problem is the slightly leery uncle and other times it’s a disaster of catering, drained alcohol supplies and family feuds. Either way it seems we’ve taken the concept of a fairy tale wedding very seriously and tried to recreate it in real life. But I think we’ve slightly missed the point.

I do love a good fairy tale but I get pretty bored when it’s all about cisgendered, white, straight guys rescuing helpless damsels and marrying them, yawn. But the tradition was somewhat reclaimed for me when someone explained why fairy tales have a habit of ending in weddings. It’s not because the tale is literally a how-to manual for planning the big day, no, it’s a little more subtle than that. One way to interpret a traditional fairy tale is to see the characters in the story as facets of our personality (or psyche). We all have a questing hero in us and sometimes we can be a bit of a tyrant as well. There’s a wild wolf in us too, a wise sage, a jokey trickster, a helpless victim, a cunning witch and even a terrifying dragon (metaphorically speaking). We’re not just supposed to identify with the hero (y’know, that dull straight, white guy), instead all the characters represent different aspects of who we are. Many of us might play the part of the fool more often than the wise one, or the tyrant than the victim, but the point is the potential is there and our psyche is multi-faceted (whatever those dull personality tests tell us, give me dragons and witches over ENTJ any time). Basically, folktales are a form of psychology and therapy developed hundreds of years ago, pretty cool huh.

So why the wedding? Well, it’s not just some random straight folks tying the knot, it’s the marriage of your psyche. Say what? It’s when all of you, all of you, is invited back home to one giant party – it’s when you finally come to terms with being you. In many traditional tales the wedding won’t just include the in-laws but the tyrant king will be there (and he may well ceremoniously die as metaphor for you conquering your inner b*stard), the annoying brother, the sage, the mentor, the dragon’s head maybe, the witch (providing she survived and promised to be a little less wicked) and even the wild wolf might be seen flitting around in the garden. The guest list is vast and the catering cost astronomical but the point is all of you has been welcomed back home. It’s not about white dresses and multi-tiered cakes, it’s about inner healing and empowerment. So, as symbolism for inner transformation goes I think fairy tales are pretty ace. However, if like me you’re not such a fan of heteronormative ceremonies traditionally based on the buying and selling of woman, you’ll agree that the tales need a bit of a 21st century makeover. No more weddings for me, just one giant queer house party. All welcome.

Demi Lovato 1: Patriarchy 0

“Are you ready?” asks Demi Lovato at the start of her new song, Confident. And I am, I’m ready for an ass-kicking video in which two brilliant women take on the structural oppression of the patriarchy in style. “I used to hold my freak back, Now I’m letting go, I make my own choice, Yeah I run this show.” And boy, is it one heck of a showdown…

The video starts with Lovato locked up in a high security prison. A dubious looking man in a suit arrives in a small armada of black cars – I reckon he’s FBI or government or something. He offers Lovato freedom if she takes out Michelle Rodriguez (of Resident Evil and Fast & Furious Fame). She signs the dotted line and then gets branded (as the patriarchy quite literally burns its power-to-oppress into her skin), booted and armed with big guns. A bunch of suited men escort her to Rodriguez who suddenly reveals she’s also working for dubious-suit-man. Poor Lovato, her day just went from bad to worse – first a tattoo made of fire, now she’s been double crossed, followed by an ass-whooping from Rodriguez who sure knows how to land a punch.

Lovato is scapegoated as a traitor and sent straight back to prison on a bus. A daring escape with a shotgun puts her face to face with Rodriguez again. Another showdown ensues, all the while being watched by dubious-suit-man and a bunch of grinning, male croons. But then it happens – the moment before Rodriguez whacks another punch into Lovato’s face she spots Lovato’s branding, one she has too. And they finally figure it out: women shouldn’t be pitted against one another at the whim of male oppressors, instead women can team up to tackle institutionalised discrimination and smash that glass ceiling to smithereens. Cue Rodriguez’s jeep smashing through the wall of dubious-suit-man’s hideout and the big climax. Lovato and Rodriguez win, obviously. “What’s wrong with being confident?” asks Lovato in the song and it’s clearly a rhetorical question because when Lovato gets her confident on she’s fricking awesome.